The Art of Memory

No one is such an encyclopaedia of all things poetic, past present and future, as David Caddy!

So here we are

“It’s impossible to be an authentic writer without being a serious reader”
Bothayana al-Essa

David Caddy’s writing is clearly underpinned by some serious reading and high-level scholarship. His performance last Monday, mainly of not-yet-published poems, was spellbinding. Some of us may not have understood every word, but every poem came across powerfully and dramatically. There were moments of helpless laughter. There were moments of awe. There was awe mixed with laughter. It was a memorable evening.

During the open-mic we visited Scotland and entered a blue world with Morag, recalled a remarkable aunt in one of Andrew’s earliest poems and heard also his most recent poem, remembered Armistice Day and celebrated a charming eight-year-old with Mark, entered into memories with Rachael, heard a sonnet and a poem full of pregnant gaps from Jinny, experienced night terrors with Steve and a poignant moment of human contact with Michelle, enjoyed two of Rosie’s characteristically insightful poems, looked closely at a milk-jug and some trees with Ama, and finally heard David Caddy’s hair-raising latest poem, a true story from his local pub in Dorset.

Our next meeting will be at The Venue on Monday 1st July and the guest reader will be Sharon Larkin, from Cheltenham.

Rachael’s poem “Remembered” appeared in the Sunday Tribune, Michelle’s poem “The Validity of Existence” is published today on Algebra of Owls, and Mark has five poems in this elegant anthology:

Lansdown Poets

Finally, I have been asked to mention this year’s Oxford Brookes Poetry Competition and the Tears in the Fence Festival. Details below.

Oxford_Brookes_2019TitF 2019

Nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time — and whenever we do it, we’re not poets.
— e.e.cummings

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